Pinterest Pin

Sunday, 28 August 2016

Follow-up to DIY downloadable clothing


I was really excited about the concept of so-called downloadable clothing that I wrote about in my last post. I started looking for fabrics, deciding which of the patterns I would try and scouting out places to have the pieces cut.



I planned to use the t-shirt pattern, since it seemed like the thing I would be most likely to actually wear. This pattern, it turns out, requires a cutting surface that is larger than most of the non-industrial laser cutting options had.

Image result for laser cutting machine for fabric

On top of that, apparently neoprene, which seems like the most appropriate material to make this out of, contains spandex, which creates hydrogen cyanide gas (hint: it's not good for you!). Not as bad, I hear, as cutting PVC, which creates hydrogen chloride gas, which will damage people and machinery alike, but still most of the places I contacted flat refused to cut neoprene because of the 8% - 10% spandex content.




My only option was industrial so I emailed out for a quote (and learned that they do water cutting, too, which sounds pretty neat).

Turns out it will cost, like, $250 just for the cutting. So...yeah. Glad I didn't buy my fabrics yet!

I am disappointed, though. Maybe I'll save up.


Sunday, 17 July 2016

DIY downloadable clothing! What??

Oh, wait, that's what we do every day.

I just saw a tiny article in a magazine about Dutch designer Martijn Strien's Post-Couture Collective, Desctibed as "downloadable clothing patterns that can be cut and assembled by anyone - no sewing experience required (although a laser cutter helps)"

First reaction: neat idea and seriously great branding. The PR photos are very slick and ultra modern.




The look and feel of the website is so aspirational. Sure, the model does kind of look like a cyborg, but she looks like a very pretty and youthful cyborg. Very clean and modern. How the hell does this work?

Reaction part 2: Watched the video. A laser cutter doesn't "help". It is essential. Who among us doesn't hate the cutting out part of making clothes? Just look at those, like, fractal-looking seams. What a nightmare!



I do love their concept for making seams. Those little fractal-like shapes on the seams weave together and the backward-arrow shape locks it in place. The fabric they use in the video looks like gross foam but I bet a scuba knit would work great!

Oh, and the patterns require you to enter your measurements, and then the pattern adjusts to "fit."

Wow, design files are only 5 Euro.

Reaction part 3: pricing laser cutting in my city. Ooooh the tool library has one...

Saturday, 11 June 2016

Romantic 1930s bias gown

Oh, la la!



Finally posting pics, you guys! I'm really proud of how this dress turned out!


I'm also proud of my hair! It's not perfect, but I did only have an hour and a half to do it. : /


I knew an open back would be my favorite part of this dress. And look at those waves!


I wanted this dress to be dramatic and romantic. I wish I could have justified using silk, but I needed more than 5 yards of fabric and I wasn't very confident that it would actually turn out! I would have hated to have spent all that money and ended up with a wadder.


I had a hell of a time picking the fabric, too. I don't usually wear colours this intense. This crepe-backed satin ended up being pretty easy to work with (I was shocked!) and I think the colour flatters me. I just wonder if this wasn't a common colour in the 1930s. I really wanted the dress to look like something that could have been worn in that time period.


All photos were taken by the awesome Brian Chambers at Sunnyside Beach in Toronto. From the early 20s to the mid-50s, Sunnyside was a happening recreational scene with a bathing pavilion (now it's a tacky restaurant) and an amusement park. There were concerts by Basie and Ellington. There was even a time when public transportation to Toronto's beaches was free!




Of course, then the city built a highway cutting off the beach from the rest of the city and ruined the whole thing. Thanks a lot post-WWII-development-boom. Oh, and then there was a huge sewage problem. That didn't help either.


Still a gorgeous spot to spend the evening and great for pictures!

Friday, 10 June 2016

More bias dress stuff! How I cut out the pattern

Hey guys, happy Friday!

Man, I learned so much making my bias gown (pictures are in the works. I can't wait to post them!) and I feel like I'm just scratching the surface! It really is so different from what I usually do. I got Couture Sewing Techniques by Claire B. Schaeffer from the library and I just find couture stuff so intimidating!!!!

Something that really made an impact on me was her point about one major difference between couture and RTW or home sewing being that with couture techniques, its the seamlines that are marked, whereas with home and RTW sewing, the seam allowances are very precise and the seams are joined using the edge of the cut fabric as a guide.

That was when it really sank in that even the cutting-out part of the project would be completely out of my comfort zone! No kidding, I'm pretty sure this dress aged me about 10 years.

Full disclosure, I have no idea what the best strategy would have been. In a perfect world I would have draped the dress on a dress form and used the draped fabric to transfer to my dress fabric but that was definitely impossible, so I kind of improvised. Paper patterns all the way!

If you have a better technique please share it with me!! Otherwise, hopefully someone else will be able to put this process to use.


Here's what I did: cutting out a bias paper pattern.

1) I cut the pattern out of oak tag, excluding the seam allowances on the bias pieces (the back was on grain, so I kept the seam allowances and cut it out as usual).

2) I laid the fabric out face down on tracing paper, with everything squared up as precisely as possible. You can see below that I even taped the edges of the fabric to the paper to keep it from shifting.


3) I layed the oak tag pattern pieces out, carefully lined up on the bias, and traced them with a fabric marker. Make sure to do a test first to make sure it will come out without ruining your fabric!


4) Next I removed the oak tag pattern piece and pinned the fabric to the paper below. I made sure to place the pins within about an inch of the seam line. Remember, you're tracing the seam line and will be cutting the seam allowance freehand. Make sure your pins go through the paper, too!


5) Once you've finished tracing all your pieces, cut them out, giving yourself about an inch of seam allowance. Then thread trace the seam lines so they're visible on both sides. This is incredibly tedious. I did a little long-short-long-short pattern to make it pretty and so I could tell the difference between thread tracing and any basting I would do. Keep the fabric pinned to the paper if you want. I didn't need to because my fabric was actually pretty agreeable so I just kept it flat on the table. You might also want to have a stiff drink while you do this. And don't forget to use a separate thread for each edge. If you get to a corner, stitch a little bit past it and start again with a new thread, instead of trying to, like, go around the corner. See the pic below?



Oh, I probably should have mentioned at the beginning, this works best if you're hand stitching the seams. Which you are, right? Yeah, you might want to pour yourself another. Good luck!




Monday, 6 June 2016

Chambray shirtdress take 2

Hello friends! I'm taking a break from posting about my bias gown to share some pics of my second chambray dress.


Perfect for hanging out in the back yard! I love those long summer days.

The chambray I used is really nice and light, so I can wear it in hot weather and still have my shoulders and arms covered. I've reached an age where I'm pretty worried about sun protection.


I used my old frienemy, 042010 long sleeve blouse from BurdaStyle. I just extended it from the bottom hem to make it into a dress. The pattern actually comes with longer pattern pieces to make a shirt dress but I've made so many changes to the shirt pattern I was not about to start that shit over again. Nuh-uh.


I actually started this dress before the other chambray shirtdress but I had given up because I thought that this one was going to be too small in the hips. I tried it on once I sewed up the side seams and thought it wasn't going to fit and just gave up. I must have been on drugs or something. I tried it again a few weeks later and now I'm so happy with it!


My friend Gus came by to say hello and help with some weeding. He's a good boy!



I love that I can link to my pinterest boards! Here's my inspiration board for this dress. I guess I still haven't nailed the cool-casual accessorizing. Need some wedge espadrilles, sun hat, bracelets and a leather purse. And longer legs!







Saturday, 4 June 2016

What's a great dress without the perfect hair?

Guys, my dress is smashing! I can't wait to post pics, but while those are in the works I want to share with you the journey I've been on to achieve the perfect hair.

In my research for the dress, I fell in love with the illustrations on the pattern envelopes I was seeing online. So elegant!



I liked the finger wave and I knew I wanted the back up off my neck, to maximize the drama of the open back.

I did briefly consider the poodle updo, but I worried that it might look a little more I Love Lucy than I really wanted.


Maybe next time ; p

In the end, though, I really did want to try some finger waves and a faux bob. possibly influenced by all the Downton Abbey I've been watching lately (I know DA is the wrong era but there are definitely some style elements that lasted into the mid-thirties, which is what I was going for).

I really had no idea where to start so I got on Pinterest and Youtube and just started trying things!


Heh. I heat set pin curls, then used a brush, comb, fingers and clips to set the waves.



Hmmm... not quite right.





Closer! I experimented with different curl patterns (like how I segmented my hair for curling and what direction I curled it in). The waves were still a little looser than I wanted here, though. I was using my 1" curling iron. Also the back looks like barf. It's really hard to get it nice when I can't see what I'm doing!!!




Even closer! My friend helped me track down a 1/2" curling iron on a trading network. You can see the waves are much tighter and more defined with the smaller curls. It's starting to look more and more like the pattern illustrations! The back was still pretty messy at this point but I eventually got it under control when I realized that I only really needed finger waves in the front, so I didn't have to curl things as tightly in the back as the front. It made it a lot easier to gather it all into a chignon at the base of the skull.

Downside of using the 1/2" curling iron, thought, is that it takes, like, hours to curl my hair with it, since I have to work in such small sections!


I can't wait to show you the final version! You can check out all the tutorials I used on the Pinterest board.




(Edited to fix link to Pinterest board)

Thursday, 19 May 2016

bias dress progress

Okay so I'm all gung-ho about the bias dress so last week I whipped up a muslin of Vera Venus' Little Bias Dress. With less-than wonderful results..





Eeeeeewwwwww.

As I feared, this cut and silhouette don't work for me! Maybe I could have played around with the fit to make the proportions more flattering but I just have the feeling that this is not the right look for a small-chested woman. I also have kind of, like, low hips, I guess? Anyway the high waist is just making my middle look suuuuuuuper long. Not what I'm going for!

Making this muslin also made me realize that I have to work with the streatch of the bias instead of against it. With all of my experience cutting garments on the straight grain, I had the mindset that I had to limit the stretching of the garment until sewn. I sandwiched the fabric in paper to cut out and even stay-stitched and sewed it up with the paper on. What a waste of paper! Since sewing it up and reading more, I've learned my lesson. I'll loosely baste the seams and let it hang before sewing the final dress.

So with the design of the dress up in the air I turned to pinterest for more style ideas. Specifically looking for dresses that hit at the true waist (almost always a good look for me).

McCall 8521. 1930's Vintage Sewing Pattern.  Keyhole back with loose top and figure skimming skirt.  Belted.  #vinsinn  #1930svintage  www.vinsinn.com:

Yummy! I love the drape-y, Grecian vibe!

30s evening gown stripe plaid? blue bias cut draping long dress low back color illustration vintage fashion McCall 7892 | ca. 1934 Ladies' & Misses' Evening Dress:

Another one of my favorites. Look at that glamorous back neckline! I'm also going to try to steal the bow idea. Hopefully, the trailing tails of the bow will cover any weirdness from having a side zipper.

Not too sure how the shoulders of this one stay on, with the cowl in front and the low V in back. Maybe there is some inner structure or underpinning keeping it in place?

I've started drafting the bodice much like this second pic. It's also been a little tricky trying to figure out how to finish the edges on the bodice. Then I realized that with a cowl I can self/face the entire thing! Right? And the back will be cut on grain, so I can use the usual facings and it will be a bit more secure and hopefully stay on!

More to come as I get closer!